Best screenwriter
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Quartet, The Bostonians, A Room with a View, Mr.
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While a lot of his work like “My Neighbor Totoro”, “Princess Mononoke” and “The Wind Rises” has influenced generations of anime artists and animation filmmakers, his greatest accomplishment is “Spirited Away” that conclusively proves his metal and makes evident everything that makes him so endearing to his audiences: limitless ambition, incredible detailing, and a strong female protagonist who knows how to fight her battles on her own.
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His visually resplendent creations never fail to intoxicate both children and adults with their uncharacteristic honesty. The high notes are always unfamiliar and exciting and the low ones are gratifying and melancholic. Known for his indelible attention to detail, Miyazaki composes his pieces like vividly luscious symphonies. His characters are joyfully entrancing and his fantastical stories seem to know no emotional, intellectual or artistic bounds. His command on the animated worlds he creates surpasses any other filmmaker who has dabbled in the medium. No one in film history has captured the sincerity of a child’s sense of wonder, fear, adventure, courage, righteousness and intelligence with the level of towering imagination as Miyazaki has. The Castle of Cagliostro, Nausicaä of the Valley of the Wind, My Neighbor Totoro, Kiki’s Delivery Service, Porco Rosso, Princess Mononoke, Spirited Away, Howl’s Moving Castle, Ponyo, The Wind Rises So here are 20 of the greatest screenwriters of all time. Notable screenwriters have constantly redefined how films are structured and how the cinematic language can be put to better, more efficient use by constant experimentation. The path can be changed during filming and in editing but the journey begins with the script. The actual production and post-production gives leeway to discover new stylistic approaches to the attaining the goals defined in the screenplay.Īnd yet, the foundation of a great film is more often than not, rooted in a screenplay. Of course, many alterations are inherent to this transition, especially in cases where the director is not the screenwriter. The idea is translated into words, descriptions of atmospheres, moods, settings and other instructive mechanisms that then allow for a translation of this idea on the screen. The screenplay is the initiator, giving cinematic form to an idea that is born in the head of the screenwriter. That is where the screenplay comes in.įascinatingly, the filmmaking process works in reverse.
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But they must be complemented by a vision that controls their hold over our senses. The sound and the image are inextricably linked to these elements and form our first contact with the film. The way a story is told, an idea is explored and an artistic sensibility is expressed determines, to a large extent, our personal preferences when it comes to films. As we view a cinematic work, elements like narrative and plot structuring are indispensible to our judgment of it, even if we don’t notice their relevance right away.